Jacob Ganz
-
Whether you use it as a balm or an echo chamber for your despair, Ware's second album is a celebration of gloriously messy feelings, each tamed by her soft touch.
-
After two solid albums, Too Bright is something shockingly new for Perfume Genius: a set of muscular, magnificently controlled songs that explore darkness inside and out.
-
Highly emotional rock that reads as low-stakes at first, Lost in the Dream is evocative and pleasant if you let it float by in the background. But it's made with hooks that sink in deep.
-
A pinch of melody, a dash of groove. Pop music is built on making a song sound just new enough to be intriguing. So what happens when one song sounds a little too familiar?
-
The Danish band Efterklang literally went to the ends of the earth — an arctic island 400 miles north of mainland Europe, to be exact — to make its album Piramida.
-
Call it diversity or a lack of consensus, but no single act dominated this year's awards. Instead, the Grammys spread the love, though rock bands — including The Black Keys and fun. — fared well.
-
Page had one of the biggest-selling singles ever with her version of "The Tennessee Waltz."
-
We're still in the final stages of making our list, but we agree enough on a few albums to share this preview of NPR Music's favorite albums of the year. Audie Cornish talks to Frannie Kelley, Stephen Thompson and Tom Huizenga.
-
Tiny XL Recordings, the home of Adele, Vampire Weekend, the XX and just a few more, has become among the most relevant record labels in the world while releasing just a few albums each year.
-
Or: Why Justin Bieber didn't really sell 40,000 tickets in 30 seconds.