Fresh Air

In 2010, the Museum of Modern Art was criticized for its skimpy representation of the Dutch-American painter Willem de Kooning in its huge abstract expressionist show. The museum has now made up for that with an astounding de Kooning retrospective, the first of its kind: some 200 paintings, drawings, prints and sculptures that trace de Kooning's career beginning at age 12, when he was working for a graphic designer in his native Rotterdam and painting remarkable imitations of Cezanne, Picasso, Matisse, Miro and Gorky.

Need advice on when it's appropriate to break up with someone over email? Want to know how to react if your dinner companion whips out a cellphone midway through a meal? What about how to deal with your annoying relatives during the holidays?

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

Fresh Air begins its remembrance of drummer Paul Motian with an archived review of his trio album. (The original review is below.)

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The Irish actor Michael Fassbender stars in two current films that revolve around the perils of sex — which means you see him have a lot, so he'll have something to regret.

You know how the sex will play out in Shame, because of, well, the title. Fassbender plays a sex addict, Brandon Sullivan, born in Ireland, raised in New Jersey, and he seems to work in advertising, which is unfortunate since he resembles Mad Men's John Hamm.

Paul Motian, a jazz drummer and composer who spent more than 50 years in the music industry, died November 22, from complications of multiple myeloma. He was 80.

The New York Times' Ben Ratliff once called Motian "one of the greatest drummers in all of jazz." The rare drummer who disliked drum solos, Motian recorded some of his most memorable work with pianist Bill Evans and bassist Scott LaFaro. Their recordings include the classics Sunday at the Village Vanguard and Portrait of Jazz.

Some of the most talented and temperamental athletes and coaches in the world have opened up to John Feinstein.

The acclaimed sportswriter's latest book One on One: Behind the Scenes with the Greats of the Game details his conversations over the years with notoriously difficult coaches like Bobby Knight and star athletes like Tiger Woods and John McEnroe.

By now, I hope my position on spoiler alerts is firmly established. My feeling is that once something has been televised, it's fair game for discussion. I feel it's the responsibility of the person who's delaying his or her enjoyment of a TV show to avoid mentions of it, rather than putting the onus on critics. And believe me, I know that's not always easy. I have to do some time-shifting myself — there are so many good shows presented on Sundays this season that it sometimes takes me the whole week to catch up on the episodes I've recorded.

I'm not much for collections of alternate takes and the early music of people who went on to have hits. There's usually a reason a song doesn't become a hit, just as there's usually a reason to record another take — it's because the music is usually lousy. But I'm a little bit obsessed with a new collection of Buck Owens performances from the years before he became a star.

Imagine being able to access the Internet through the contact lenses on your eyeballs. Blink, and you'd be online. Meet someone, and you'd have the ability to immediately search their identity. And if your friend happens to be speaking a different language, an instantaneous translation could appear directly in front of you.

That might sound farfetched, but it's something that might very well exist in 30 years or less, says theoretical physicist Michio Kaku.